Roger Waters & David Gilmour<\/figcaption><\/figure>\nSahnenin \u00fcst\u00fcndeki dev ekranlarda o anda performanslar\u0131n\u0131 sergileyen solist ya da topluluklar\u0131n belirledi\u011fi bir slogan yaz\u0131l\u0131 kal\u0131yordu. Pink Floyd kendisi i\u00e7in\u00a0\u201cNo More Excuse\u201d<\/i><\/b>\u00a0vurgusunu yazd\u0131rm\u0131\u015ft\u0131. Tefsiri;\u00a0\u201cMazareti Kes.\u201d<\/i><\/b><\/p>\n
\u00c7\u00fcnk\u00fc ayn\u0131 g\u00fcnlerde G8 ad\u0131 verilen en geli\u015fmi\u015f 8 \u00fclke \u0130sko\u00e7ya\u2019da bulu\u015fuyordu. ABD, Rusya, \u0130ngiltere, Fransa, Almanya, \u0130talya, Japonya ve Kanada\u2019dan olu\u015fan bu sekiz \u00fclke 31. bulu\u015fmalar\u0131nda ana tema olarak\u00a0\u201cAfrika ve \u0130klim De\u011fi\u015fikli\u011fi\u201d<\/i><\/b>ni konu\u015facaklard\u0131.<\/p>\n
Live8<\/i>\u00a0konseri Londra\u2019n\u0131n \u00fcnl\u00fc Hyde Park\u2019\u0131ndayd\u0131. Hani \u015fu diledi\u011fini \u201ckonu\u015fma h\u00fcrriyeti\u201dnin oldu\u011fu k\u00f6\u015fesiyle (Speakers\u2019 Corner) tan\u0131nan park!<\/p>\n
Paul McCartney diledi\u011fini konu\u015fma h\u00fcrriyetini kullanarak sahnenin \u00fcst\u00fcndeki ekrana kendi slogan\u0131 olarak \u015funlar\u0131 yazd\u0131rm\u0131\u015ft\u0131.\u00a0\u201cLive8. G8. Be Great\u201d<\/i><\/b>. Yani\u00a0\u201cGelen A\u011fam, Giden Pa\u015fam.\u201d<\/i><\/b><\/p>\n
Cihan-\u0131 alem g\u00f6rmezden geldi. Halbuki baz\u0131 \u015feyleri g\u00f6ze sokmakta yarar var. G\u00f6z damlas\u0131 gibi. \u0130lkin kama\u015ft\u0131r\u0131r, ard\u0131ndan \u015fifa verir.<\/p>\n
\u201cSir\u201d Paul McCartney<\/i>, yoksul bir \u00fclkedeki be\u015f ya\u015f\u0131ndaki \u00e7ocu\u011fun bile bilebilece\u011fini bilmiyor de\u011fil. G8 ad\u0131yla kendilerini kodlam\u0131\u015f bu 8 \u00fclke\u00a0\u201cAfrika ve \u0130klim De\u011fi\u015fikli\u011fi\u201d<\/i>\u00a0sorunu da dahil sava\u015f, katliam ve ya\u011fmalamalar\u0131n yarat\u0131c\u0131lar\u0131d\u0131r. Kimsenin ve hi\u00e7bir sorunun kurtar\u0131c\u0131s\u0131 olmazlar, olamazlar.<\/p>\n
Zaten bu sekiz \u00fclkenin alt\u0131s\u0131 silah \u00fcretiminde zirvedeler. Argo \u00e7a\u011fr\u0131\u015f\u0131m\u0131ndan azade; 31 defa daha zirve yapsalar sava\u015flar ve a\u00e7l\u0131k h\u0131z kesmez, artar. Sahnenin \u00fcst\u00fcne\u00a0\u201cLive8. G8. Be Great\u201d\u00a0<\/i><\/b>yazmak fazla safdillik olur.<\/p>\n
O esnada\u00a0\u201cSir\u201d Paul McCartney<\/i>\u00a0ile birlikte\u00a0Madonna<\/b>\u2019dan\u00a0Annie Lennox<\/b>\u2019e,\u00a0THE WHO<\/b>\u2019dan\u00a0R.E.M.<\/b>\u2019e,\u00a0U2<\/b>\u2019dan\u00a0Sting<\/b>\u2019e d\u00fcnyan\u0131n b\u00fct\u00fcn y\u0131ld\u0131zlar\u0131 neredeyse sahnedeydi. \u201cK\u0131z\u0131m sana s\u00f6yl\u00fcyorum, y\u0131ld\u0131z\u0131m sen anla!\u201d<\/p>\n
Tesad\u00fcf odur ki, David Gilmour da sahnededir ama Roger Waters\u00a0o esnada\u00a0ayn\u0131 sahnede de\u011fildir. Roger Waters\u2019\u0131n y\u0131llard\u0131r Filistin halk\u0131yla dayan\u0131\u015fma i\u00e7inde oldu\u011funu, konserlerinde Filistin bayraklar\u0131 a\u00e7\u0131ld\u0131\u011f\u0131n\u0131 \u00e7o\u011fumuz biliyoruz. Yazm\u0131\u015ft\u0131k da.<\/p>\n
Ukrayna sava\u015f\u0131nda da David Gilmour Amerikan\/\u0130ngiliz ittifak\u0131ndan yana oldu.<\/p>\n
Roger Waters ise bu konuda bas\u0131na \u015f\u00f6yle yans\u0131m\u0131\u015ft\u0131\u00a0(6 Ekim 2022. NTV):<\/i><\/p>\n
\u201cMedyan\u0131n Rusya ve \u00c7in\u2019i k\u00f6t\u00fc g\u00f6sterirken ABD\u2019yi iyi g\u00f6sterdi\u011fini s\u00f6yleyen Roger Waters, ABD i\u00e7in\u00a0<\/i>\u201cEn az 10 kat\u0131 farkla en k\u00f6t\u00fc \u00fclke\u201d<\/i><\/b>\u00a0ifadesini kulland\u0131. 79 ya\u015f\u0131ndaki \u015fark\u0131c\u0131,\u00a0<\/i>\u201cUnutmay\u0131n, Ukrayna h\u00fck\u00fcmetinin destekledi\u011fi bir \u00f6l\u00fcm listesindeyim. Listedeki insanlar\u0131 yak\u0131n zamanda \u00f6ld\u00fcrd\u00fcler. Birini \u00f6ld\u00fcrd\u00fcklerinde foto\u011fraf\u0131n\u0131n \u00fczerinde ‘Tasfiye edildi’ yaz\u0131yorlar. Ben de o foto\u011fraflardan biriyim”<\/i><\/b>\u00a0diye konu\u015ftu.<\/i><\/p>\n
Roger Waters art\u0131k 80 ya\u015f\u0131nda, 40 ya\u015f\u0131ndaki John Lennon gibi vurulursa \u015fa\u015fmamak gerek.<\/p>\n
Tamam da bunca \u00f6rnek ve beyan\u0131 neden i\u015faret ediyorum? \u015eunu demek istiyorum.<\/p>\n
Britanya devlet televizyonu (BBC)\u00a0WHEN ALBUMS RULED THE WORLD<\/i>\u00a0(ALB\u00dcMLER D\u00dcNYAYA H\u00dcKMETT\u0130KLER\u0130NDE)\u00a0<\/i><\/b>ad\u0131yla bir dizi belgesel yay\u0131nlam\u0131\u015ft\u0131. 1970\u2019li y\u0131llar sadece m\u00fcziksel a\u00e7\u0131dan de\u011fil, s\u00f6m\u00fcr\u00fcc\u00fc sistem ve sava\u015f kar\u015f\u0131t\u0131 duru\u015flar\u0131, yoksullardan ve ezilenlerden yana felsefik s\u00f6zleriyle alb\u00fcmlerin d\u00fcnyay\u0131 \u015fekillendirdi\u011fi d\u00f6nemlerdi.<\/p>\n
1979\u2019da yay\u0131nlanan Pink Floyd\u2019un\u00a0The Wall<\/i><\/b>\u00a0alb\u00fcm\u00fc G\u00fcney Afrika\u2019da siyahlar\u0131n \u00fclke \u00e7ap\u0131nda \u0131rk\u00e7\u0131l\u0131k kar\u015f\u0131t\u0131 g\u00f6sterilerinde mar\u015f gibi benimsenmesi \u00fczerine 1980\u2019de yasaklan\u0131yordu.<\/p>\n
Bu felsefik ak\u0131m\u0131n en a\u011f\u0131r toplar\u0131ndan ikisi ku\u015fkusuz Pink Floyd ve John Lennon idi. Bir\u00e7ok m\u00fczisyen i\u00e7in m\u00fcziksel oldu\u011fu kadar d\u00fc\u015f\u00fcnsel de okul (ekol) kadar etkileyici ve y\u00f6nlendirici olmu\u015flard\u0131r.<\/p>\n
Peki, 1968\u2019de Pink Floyd\u2019a girip gitar \u00e7alan, beste yap\u0131p \u015fark\u0131s\u00f6z\u00fc yazan, d\u00fczenlemelere kat\u0131lan David Gilmour, \u015fu son 55 y\u0131lda bu ekolden (okuldan) zerre kadar nasiplenememi\u015f olabilir mi? Olabilir.<\/p>\n
Mesai arkada\u015f\u0131n\u0131z\u0131n tasas\u0131, yasa de\u011fildir ama vefas\u0131zl\u0131\u011f\u0131n cezai m\u00fceyyidesi kalplerden tahliyeyle \u00f6denir.<\/p>\n
\u0130syankar bir dostun itaatkar arkada\u015f\u0131 olarak an\u0131lmak, size \u201c\u015f\u00f6valye\u201d de deseler, asl\u0131nda kula kullu\u011funuzun tabelas\u0131 anlam\u0131na gelir. 1957 y\u0131l\u0131nda John Lennon\u2019la tan\u0131\u015f\u0131p ge\u00e7en 66 y\u0131lda ekol olarak z\u0131t karde\u015fler dedirtecek kadar uzak bir tav\u0131r sergileyen \u201cSir\u201d Paul McCartney art\u0131k saray\u0131n b\u00fclb\u00fcl\u00fcd\u00fcr. Her nefeste kafeste.<\/p>\n
Onca g\u00fczel bestenin hat\u0131r\u0131na, bestecinin kendisini telef etme serbestli\u011fine bir \u00e7ift s\u00f6z\u00fcm\u00fcz olabilsin.<\/p>\n
\u0130sraf edilen 66 y\u0131ll\u0131k ekol (okul) farkl\u0131l\u0131\u011f\u0131 i\u00e7in acep \u015funu mu demeli;\u00a0\u201cE\u011fitim \u015eart\u201d<\/i>\u00a0gibi \u015fartlanmalar nafile tesellilerdir. Miza\u00e7 ve karakter gibi vas\u0131flar bazen iyi bir e\u011fitimi bile bo\u015fa \u00e7\u0131karabilir. Yarad\u0131l\u0131\u015ftan gelen mizac\u0131m\u0131z\u0131, yeti\u015fti\u011fimiz aile, civar ve ku\u015fakla olu\u015fan karakterimizle harmanlay\u0131p insanl\u0131\u011f\u0131n ortak yarar\u0131na y\u00f6nlendirmezsek esen r\u00fczgar\u0131n \u015fekillendirdi\u011fi bireyler olma tehlikesiyle kar\u015f\u0131 kar\u015f\u0131ya kalabilir, ak\u0131nt\u0131ya kap\u0131labiliriz.<\/p>\n
Ak\u0131nt\u0131, her zaman okyanusa a\u00e7\u0131lmaz. Bazen kanalizasyona kanalize edenler ve edilenler olur. O halde elden geldi\u011fince, g\u00fcc\u00fcm\u00fcz yetti\u011fince ak\u0131nt\u0131ya y\u00f6n vermekten ba\u015fka \u00e7are kalmaz elimizde. \u0130stifleyecek de\u011fil, yetecek kadar\u0131yla yetinmeyle bir yol \u00e7izilebilir.<\/p>\n
K\u00fckremi\u015f sel gibi bendine s\u0131\u011fmay\u0131p ta\u015farak, i\u00e7 g\u00fcd\u00fclerinin g\u00fcd\u00fcm\u00fcnde co\u015farak de\u011fil, zafiyet hazretlerine gem vurup ar\u0131narak da ge\u00e7ilmez san\u0131lan da\u011flar a\u015f\u0131labilir.<\/p>\n
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* M\u00fczisyen de olan yazar\u0131m\u0131z\u0131n di\u011fer \u00e7al\u0131\u015fmalar\u0131na\u00a0https:\/\/sedatsarici.com\/<\/a>\u00a0adresinden ula\u015fabilirsiniz.<\/p>\n<\/div>\n<\/div>\n
…<\/div>\n
<\/span><\/div>","protected":false},"excerpt":{"rendered":"SEDAT YILDIRIM SARICI* – Sanat d\u00fcnyas\u0131nda\u00a0\u201c\u0130K\u0130L\u0130\u201d\u00a0olarak sahneye \u00e7\u0131kan erbaplar\u0131n ortak \u00f6zelliklerinden biri ortak olmamalar\u0131d\u0131r. Hemen hepimizin tan\u0131d\u0131\u011f\u0131\u00a0Metin Akp\u0131nar – Zeki Alasya, Levent K\u0131rca – Oya Ba\u015far, \u0130talyan\u00a0Yavru ile Katip\u00a0(Franco e Cicio- 002)\u00a0veya Amerikal\u0131\u00a0Laurel & Hardy\u00a0gibi. Ve hatta g\u00f6lge oyunu\u00a0Karag\u00f6z – Hacivat\u00a0da dahil olmak \u00fczere \u201ckomedi\u201d dedi\u011fimiz\u00a0\u201cg\u00fcld\u00fcr\u00fc\u201d\u00a0yaz\u0131m\u0131 aslen\u00a0\u201ctezat\u201d\u00a0beyan\u0131ndan ibarettir. M\u0131knat\u0131s\u0131n iki kutbu mu, yoksa diyalektik y\u00f6ntemin […]<\/p>\n
<\/span><\/div>","protected":false},"author":868,"featured_media":275410,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3748,10348],"tags":[18270,1850],"yoast_head":"\nORTAK OLAMAYAN \u201cORTAKLAR\u201d - A\u00c7IK GAZETE<\/title>\n \n \n \n \n \n \n \n \n \n \n \n \n\t \n\t \n\t \n \n \n \n \n \n\t \n\t \n\t \n